With the 90th Academy Awards less than two weeks away, speculation has grown rampant regarding who will be taking home the coveted Oscars. Tired of speculating, three film writers from LWOS Life decided to get together and take fate into their own hands. Acting as their own Academy, they picked ten of their favorite categories, cast their own votes, and named their own winners. In the event of a split decision, the ruling went in favor of the odds-on favorite to win. So, without further ado, here are the picks for 2018 Academy Awards!
Picking the Winners: 2018 Oscars
BEST PICTURE
Here are the nominees…
• Call Me by Your Name
• Darkest Hour
• Dunkirk
• Get Out
• Lady Bird
• Phantom Thread
• The Post
• The Shape of Water
• Three Billboards Outside Ebbing, Missouri
Best Picture: The Shape of Water
A love letter to classic cinema takes home cinema’s most prized award. The Shape of Water is one of the most imaginative films of the year as well as one of the most beautiful. At first glance, it’s a love story in the vain of Beauty and the Beast. However, over the course of it two hour run time, this thematically layered film becomes something so much more poetic, intricate, and thought-provoking.
– Andrew Semaan
Best Picture: Three Billboards Outside Ebbing, Missouri
This film stands out from the rest in terms of its originality, the strength of its characters, and the level of acting across the board. It appeals to a wide array of emotions, being poignant and serious, as well as funny. Moreover, it wonderfully conveys the spirit of living in the mid-West United States. A stand-out film, worthy of the Oscars’ greatest accolade.
– James Cunningham
Best Picture: The Shape of Water
Guillermo del Toro’s exercise in genre subversion blends together the best elements of fantasy films, romance movies, and thrillers to create something that is more than the sum of its parts. This is an ode to unconventional love, the kind of film that will make you fall in love with movies again and remind you what genre movies can be when they’re made with purpose and skill by a master like del Toro.
– Austin Zook
And the Oscar goes to…The Shape of Water
BEST DIRECTOR
Here are the nominees…
• Christopher Nolan – Dunkirk
• Jordan Peele – Get Out
• Greta Gerwig – Lady Bird
• Paul Thomas Anderson – Phantom Thread
• Guillermo del Toro – The Shape of Water
Best Director: Guillermo del Toro—The Shape of Water
Having already taken home the award at the Golden Globes, many believe Guillermo del Toro is the odds-on favorite to take home the Oscar in March. The Shape of Water is rich with the kind of visual storytelling that we have come to know and love from del Toro. The lack of dialogue between the two lead really allows del Toro unleash his imagination to find new and creative ways to depict love and the on-screen result makes him a tough contender to beat.
– Andrew Semaan
Best Director: Christopher Nolan – Dunkirk
Christopher Nolan delivers a wonderful cinematic experience for Dunkirk, which rightly sees it among the nominations for Best Picture. His use of the ticking sound, recurring throughout the film, creates a tension that lasts throughout the entire movie. Nolan’s World War Two epic is distinctive, original, and leaves its audience gripped to the screen for its entirety.
– James Cunningham
Best Director: Christopher Nolan—Dunkirk
Over the years Christopher Nolan has developed a cult-like following of fans who worship at the altar of his aesthetic. He’s constantly trying to find ways to outdo himself by tackling bigger and more ambitious projects—which has culminated in his wartime survival film, Dunkirk. It’s an unconventional war film, the ultimate Dad Movie, and visually stunning from start to finish. Nolan’s work on Dunkirk—from a technical perspective, at least—ranks among his best, and he’s more than earned any awards that come his way for it.
– Austin Zook
And the Oscar goes to…Christopher Nolan – Dunkirk
BEST ACTOR
Here are the nominees…
- Timothée Chalamet – Call Me by Your Name
- Daniel Day-Lewis – Phantom Thread
- Daniel Kaluuya – Get Out
- Gary Oldman – Darkest Hour
- Denzel Washington – Roman J. Israel. Esq.
Best Actor: Gary Oldman – Darkest Hour
You may as well just hand Gary Oldman the award now. Timothee Chalamet has a solid argument here but Oldman’s transformative turn as Winston Churchill is the exact type of fodder the Academy eats up.
– Andrew Semaan
Best Actor: Daniel Kaluuya – Get Out
Daniel Kaluuya’s portrayal of Chris Washington catapulted the young Brit to worldwide fame, and rightly so. He handles the sensitive, distinct plot incredibly well and does not descend into cheesy one-liners or gestures, as is the case often with movies of a similar genre. A knockout performance from one of the film industry’s future stars.
– James Cunningham
Best Actor: Gary Oldman – Darkest Hour
This is only Gary Oldman’s second Oscar nomination, but there’s no way it won’t be his first win. He gives a performance for the ages, completely disappearing into the role of Winston Churchill. His work here singlehandedly elevates Darkest Hour from a competent historical drama to the Oscar contender it is now. This is a tour de force performance, so good it can’t be oversold and shouldn’t be undervalued.
– Austin Zook
And the Oscar goes to…Gary Oldman – Darkest Hour
BEST ACTRESS
Here are the nominees…
• Sally Hawkins – The Shape of Water
• Frances McDormand – Three Billboards Outside Ebbing, Missouri
• Margot Robbie – I, Tonya
• Saoirse Ronan – Lady Bird
• Meryl Streep – The Post
Best Actress: Sally Hawkins—The Shape of Water
Sally Hawkins pulled off one of the most incredible feats of any actress this year. She delivered any entire performance, as a lead actress, without uttering a single word. Her mute performance in The Shape of Water was both mesmerizing and emotionally moving. It’s a feat that I’m not sure many actresses can pull off successfully today and one that could net her the Best Actress award.
– Andrew Semaan
Best Actress: Frances McDormand – Three Billboards Outside Ebbing Missouri
Frances McDormand almost steals the show in Three Billboards Outside Ebbing, Missouri. She combines on-screen brashness and arrogance with a sensitivity and caring aspect that allow us to relate to the character of Mildred, in one capacity or another. An outstanding performance.
– James Cunningham
Best Actress: Margot Robbie – I, Tonya
I, Tonya is a very well-made movie, and probably the most purely entertaining of all of this year’s Oscar nominees. A major reason the movie works is Robbie’s magnetic lead performance. She strikes a great balance between showing us Tonya Harding as a victim of circumstance and someone who isn’t capable of taking responsibility for her own actions, and she deserves a little golden statue for her work.
– Austin Zook
And the Oscar goes to…Frances McDormand – Three Billboards Outside Ebbing, Missouri
BEST SUPPORTING ACTOR
Here are the nominees…
• Willem Dafoe – The Florida Project
• Woody Harrelson – Three Billboards Outside Ebbing, Missouri
• Richard Jenkins – The Shape of Water
• Christopher Plummer – All the Money in the World
• Sam Rockwell – Three Billboards Outside Ebbing, Missouri
Best Supporting Actor: Sam Rockwell—Three Billboards Outside Ebbing, Missouri
Sam Rockwell already took home the Golden Globe in this category and I like him to repeat at the Oscars. He turned in an explosive, scene-stealing performance as Officer Dixon, probably the best of his career, and he deserves all the recognition he’s been getting for it.
– Andrew Semaan
Best Supporting Actor: Sam Rockwell—Three Billboards Outside Ebbing, Missouri
Similarly to McDormand, Sam Rockwell’s performance is one of the cornerstones to why Three Billboards Outside Ebbing, Missouri is a great movie, which will, in my view, do very well at this year’s Academy Awards. His shift from silly anti-hero to kind, empathetic ex-police officer is one of the defining moments in the movie, and Rockwell handles it superbly. The Abba, ‘Chiquitita’ scene is a particular highlight.
– James Cunningham
Best Supporting Actor: Sam Rockwell—Three Billboards Outside Ebbing, Missouri
This should probably be Rockwell’s—I don’t know, sixth?—nomination, but up until now Hollywood has been content to roll him out as a secret weapon in the occasional blockbuster and then send him off to be brilliant in indie flicks until they need him again. But that all changes this year. Rockwell’s performance as Dixon is unpredictable and entertaining. His character’s arc has received criticism online, but no matter where you come down on that, he’s doing excellent work with what he’s been given. Also—we should all want to live in a world where Sam Rockwell is an Academy Award-winning actor.
– Austin Zook
And the Oscar goes to…Sam Rockwell – Three Billboards Outside Ebbing, Missouri
BEST SUPPORTING ACTRESS
Here are the nominees…
• Mary J. Blige – Mudbound
• Allison Janney – I, Tonya
• Lesley Manville – Phantom Thread
• Laurie Metcalf – Lady Bird
• Octavia Spencer – The Shape of Water
Best Supporting Actress: Laurie Metcalf—Lady Bird
Laurie Metcalf gave one of those performances that felt so emotionally driven that you just knew it had to come from somewhere personal. She made you bounce around like a ping pong ball between loving her and hating her, as every teenager does with their parents. The definition of a pitch perfect performance.
– Andrew Semaan
Best Supporting Actress: Laurie Metcalf—Lady Bird
The mother-daughter conflict is something that has been documented in numerous films, but seldom does it come off as well as it did in Lady Bird. One of the main reasons for this was Laurie Metcalf. She portrays struggling mother, Marion McPherson, fantastically, flipping between trying to help her daughter find her way in life. Her delivery of hilariously ironical one-liners also gives the film a light-hearted edge. This makes it a thoroughly enjoyable experience, overall.
– James Cunningham
Best Supporting Actress: Laurie Metcalf—Lady Bird
Metcalf’s performance in Lady Bird is a masterclass in restraint. This isn’t the showiest performance of last year, but it is one of the best-acted. There’s a nuance to Metcalf in every scene where she plays off of Saoirse Ronan’s Lady Bird that’s a joy to witness. You can see the love and frustration she feels in their every interaction, not because Metcalf is overacting the emotions but because she does such a good job conveying them by (outwardly) doing so little. And since she rarely appears in live-action films these days, we should take advantage of this opportunity to justifiably reward her for her work.
– Austin Zook
And the Oscar goes to…Laurie Metcalf – Lady Bird
BEST ORIGINAL SCREENPLAY
Here are the nominees…
• Emily V. Gordon and Kumail Nanjiani – The Big Sick
• Jordan Peele – Get Out
• Greta Gerwig – Lady Bird
• Guillermo del Toro and Vanessa Taylor – The Shape of Water
• Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Best Original Screenplay: Martin McDonagh – Three Billboards Outside Ebbing, Missouri
The best screenplays are the ones that stick with you long after the credits roll. This character driven story had me trying to interpret the meaning of the final few scenes for days after seeing the film. Three Billboards boasts some of the best character arcs of the year and adds in a gripping plot to boot.
– Andrew Semaan
Best Original Screenplay: Martin McDonagh – Three Billboards Outside Ebbing, Missouri
Three Billboards Outside Ebbing, Missouri is almost Psycho-esque in the way it manages to twist the plot in unexpected ways. Similarly to the Alfred Hitchcock thriller, Three Billboards’ plot remains relevant and strong throughout, and it leaves audiences satisfied with the unanswered questions and open-ended conclusion.
– James Cunningham
Best Original Screenplay: Emily V. Gordon and Kumail Nanjiani – The Big Sick
Based on the real-life love story of Gordon and Nanjiani, this rom-com overcomes the traditional pitfalls of its genre thanks to the strength of its writing. It’s funny and heartfelt, one of those rare romantic-comedies with sincere depth and intelligence. The movie is a lot of fun to watch as it navigates the trickier aspects of an intercultural relationship—and it’d be pretty cool to see the couple it’s based on when an Oscar for their work on it.
– Austin Zook
And the Oscar goes to… Martin McDonagh – Three Billboards Outside Ebbing, Missouri
BEST ADAPTED SCREENPLAY
Here are the nominees…
• James Ivory – Call Me by Your Name
• Scott Neustadter and Michael H. Weber – The Disaster Artist
• Scott Frank, James Mangold, and Michael Green – Logan
• Aaron Sorkin – Molly’s Game
• Virgil Williams and Dee Rees – Mudbound
Best Adapted Screenplay: James Ivory—Call Me by Your Name
While it technically only adapted part of the novel, Call Me by Your Name brilliantly capture the essence of the source material. The dialogue feels genuine, the characters feel real, and the script is littered with enough symbolism to warrant multiple viewings.
– Andrew Semaan
Best Adapted Screenplay: James Ivory—Call Me by Your Name
Call Me By Your Name is set to start off a series of new fashion trends this summer, and although trendiness plays a role in adding to the film’s quality and popularity, the story itself deserves recognition. A fascinating tale of love, struggle, and finding one’s confidence, Call Me By Your Name is a wonderful story that is certain to captivate both the Academy of Motion Picture Arts and Sciences, and audiences around the world.
– James Cunningham
Best Adapted Screenplay: James Ivory—Call Me By Your Name
Call Me By Your Name is in a league of its own narratively. The movie tells the story of a young man who develops feelings for his father’s summer intern in Italy in 1983. James Ivory has done an incredible job adapting André Aciman’s novel, keeping the characters—and their relationship—complex and engaging. There’s an emotional resonance to this movie that’s brought to life by actors hitting every mark, thanks in large part to the strength of Ivory’s writing.
– Austin Zook
And the Oscar goes to…James Ivory – Call Me by Your Name
BEST CINEMATOGRAPHY
Here are your nominees…
• Roger Deakins – Blade Runner 2049
• Bruno Delbonnel – Darkest Hour
• Hoyte van Hoytema – Dunkirk
• Rachel Morrison – Mudbound
• Dan Laustsen – The Shape of Water
Best Cinematography: Roger Deakins—Blade Runner 2049
Roger Deakins is quite possibly the best cinematographer working today. The fact that he has yet to win this award is a travesty. Blade Runner 2049 is the most visually stunning and mesmerizing film of the year and credit that to Deakins. It’s about time he takes this one home.
– Andrew Semaan
Best Cinematography: Hoyte van Hoytena – Dunkirk
Dunkirk’s cinematic experience is second-to-none. It shows that audiences do not require 3D glasses to feel like they are part of a movie, be it as a British Tommy on a freight ship or a Spitfire pilot.
– James Cunningham
Best Cinematography: Roger Deakins—Blade Runner 2049
Whatever you think of the movie’s plot, it is a truth universally acknowledged that Blade Runner 2049 was a visual masterpiece. The colors, the lighting, the atmosphere of the film—so much of what makes this movie as good as it is comes from the work Deakins did on it. He’s been nominated over a dozen times for this award and it’s looking like 2018 will (deservedly) be his year to win it.
– Austin Zook
And the Oscar goes to…Roger Deakins – Blade Runner 2049
BEST ORIGINAL SCORE
Here are the nominees…
• Hans Zimmer – Dunkirk
• Jonny Greenwood – Phantom Thread
• Alexandre Desplat – The Shape of Water
• John Williams – Star Wars: The Last Jedi
• Carter Burwell – Three Billboards Outside Ebbing, Missouri
Best Original Score: Alexandre Desplat—The Shape of Water
Alexandre Desplat’s main theme for The Shape of Water is a dreamy, seemingly weightless, composition that fits the film like a glove. It truly feels as if it’s drifting along like a feather or floating peacefully underwater. The melody is also one that you may find yourself whistling weeks later. The rest of the compositions throughout the film capture that classic cinema feel, making Desplat’s score an easy one to love.
– Andrew Semaan
Best Original Score: Carter Burwell – Three Billboards Outside Ebbing, Missouri
The greatest compliment that can be given to film music is its ability to convey a certain emotion or mood in the film, and if need be, to amplify it. Carter Burwell’s Three Billboards soundtrack achieves this and so much more. It transports you to the American mid-West, both emotionally and mentally. The final track by Amy Annelle is a particular highlight.
– James Cunningham
Best Original Score: Jonny Greenwood—Phantom Thread
Phantom Thread should win this award based on the strength of its “House of Woodcock” track alone, but the fact that that is but one of 18 gorgeous tracks scored by Radiohead’s Jonny Greenwood puts this movie’s soundtrack head and shoulders above the rest. There was no more perfect pairing of music and film in all of 2017.
– Austin Zook
And the Oscar goes to…Alexandre Desplat – The Shape of Water
Main Image Credit:
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