It Comes at Night

The Subjectivity of Horror, Part Four – The Death of Psychological Horror?

In part three, we analyzed three recent psychological horror films, all released by A24, that have divided critics and audiences and compared the critical reception of each film with what audiences thought of it. Now it’s time to dig in and figure out what it all means. Could it simply be chalked up misleading trailers or could the real answer be something much more troubling?